I recall reading a newspaper retrospective on the film version of The Exorcist where the journalist authoring the article wondered if the movie’s reputation did it a disservice: for a first time viewer, how could a mere piece of story-telling on celluloid ever live up to that reputation? This is not to say that DreadOut is a hyped or famously scary game on the contrary, it’s a localised-to-English version of an Indonesian game that had the potential to be an unexpected gem.
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